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Friday, March 29, 2019

Gondeshwar Temple, Sinnar, Nashik, Maharashtra

Gondeshwar Temple, Sinnar, Nashik, Maharashtra
Gondeshwar Temple is a Hindu Temple dedicated to Lord Shiva located at Sinnar Town in the Nashik District in Maharashtra, India. It represents the best example of the Hemadpanthi style of architecture popularized during Yadava’s period. This Temple is the largest & complete example of the medieval temples of the Deccan for the Indo-Aryan style. Gondeshwar Temple is situated at north-east of Sinnar town near Nashik.



History
The Gondeshwar temple was built during the rule of the Seuna (Yadava) dynasty, and is variously dated to either the 11th or the 12th century. Sinnar was a stronghold of the dynasty during their pre-imperial period, and modern historians identify it with Seunapura, a town established by the Yadava king Seuanchandra. According to local tradition, the town of Sinnar was established by the Gavali (that is, Yadava) chief Rav Singhuni, and the Gondeshvara temple was commissioned by his son Rav Govinda. According to another suggestion, the temple is also known as Govindeshvara. It was built by the Yadava feudatory Govinda Raja, but no historical evidence supports this suggestion.  



The structure was constructed using the locally available black basalt stone and lime. The temple’s origin dates back to 12 – 13th century during Yadava dynasty. There are differences of opinion among the scholars about the Yadava king who built the temple, as per some – Raj Govinda& as per other – Govind Raja (may be a similarity in the name caused this confusion). According to Cunningham’s report, the earliest historical mention of Sinnar appears to be in a copperplate grant of 1069 A. D.


The Temple
For brief details, please refer below link;
Connectivity
The Temple is located at about 2 Kms from Sinnar Bus Station, 24 Kms from Nashik Road Railway Station, 31 Kms from Nashik, 183 Kms from Pune, 183 Kms from Mumbai and 184 Kms from Mumbai Airport. MSRTC buses are available from Nashik / Pune / Mumbai Bus stands to Sinnar. Sinnar lies to southeast of Nashik city on the Nashik – Pune Highway. Sinnar is well connected via Pune-Nashik highway & private vehicles are available on hire at Nashik and Sinnar. Nearest railway station is Nashik Road railway station. Nearest Airport is located at Mumbai.

Gondeshwar Temple, Sinnar – The Temple

Gondeshwar Temple, Sinnar – The Temple
The Gondeshwar temple is built in the Bhumija style, in form of a Panchayatana complex, which features a main shrine surrounded by four subsidiary shrines. The temple is situated on a rectangular platform that measures 125 x 95 feet. The plan of the temple is very similar to that of the Ambarnath Shiva Temple, but the sculptures on its exterior walls are of inferior quality than those of the Ambarnath Temple. 


The temple complex was originally surrounded by a wall, which is now mostly destroyed. The main shrine is dedicated to Shiva, and contains a large Linga. The shrine and the Nandi pavilion facing it are located on an elevated plinth. The mandapa (pavilion), which has porches on three sides, acts as the entrance to the temple. The shrine has a Nagara-style shikhara (tower), whose finial is no longer preserved.


The temple in the Deccan style is different from north Indian temples. Here, the shikhara does not have turrets grouped around the lower part of the structure. Instead, the shikhara has a distinct vertical band rising upwards. These are along each of its angles taking the form of a spine or quoin. Moreover, the space between is filled with smaller reproductions of the shikhara. 


The pillared hall carved with tortoise, the Kurma Avatar of Lord Vishnu, on the ground, is small, elegant and unique in this part of the country. The walls of the temple depict scenes from the ancient epic Ramayana. The subsidiary shrines are dedicated to Surya, Vishnu, Parvati, and Ganesha: all of them have a porch. They are rectangular in plan, and include a mandapa, an antarala (vestibule), and the garbhagriha (sanctum).


Amruteshwar Temple, Ratanwadi, Maharashtra

Amruteshwar Temple, Ratanwadi, Maharashtra
Amruteshwar Temple is a Hindu Temple dedicated to Lord Shiva located at Ratanwadi Village in Akole Taluk of Ahmednagar District in Maharashtra, India. This intricately carved Temple is believed to be around 1200 years old. The Temple is situated on the banks of holy river Pravara. The area around the temple is rich in dense forests and wildlife. Because of the natural beauty, this place is also called as Kashmir of Maharashtra. This Village is the gateway to famous trekking place named Ratangad, an ancient hill fort. The Temple is maintained by the Archaeological Survey of India.


History
The temple is considered to be over 1,200 years old. This beautiful temple was built by the rulers of Shilahara dynasty in 9th century AD. This is one of 12 Shiva temples built by King Jhanj.


The Temple
The Amruteshwar Temple has been constructed in Hemadpanthi architectural style with beautiful rock carvings on the main shrine. It was built with black and red stones. The temple has a sanctum, a labyrinthine structure dominated by the sculptures of the god, and goddess carved out of stone, and a pond within its complex. Sanctum houses the presiding deity in the form of Shiva Linga. There is a hot spring below the Shiva Lingam. In monsoon, when the level of hot spring rises, the main sanctum fills with water.


The ceiling and the walls of the temple are decorated with some impressive and lovely murals. There is a mantapa with 12 pillars. All the pillars have beautifully carved statues and flowers. Around the temple, there's a pond, which also carries beautifully sculptures made out of black stone. Ratangad Fort is also located at a close distance from this Shiva temple.


Connectivity
The Temple is located at about 16 Kms from Bhandardara, 17 Kms from Bhandardara Dam, 17 Kms from Shendi Bus Stand, 50 Kms from Ghoti Railway Station, 59 Kms from Igatpuri Railway Station, 73 Kms from Sangamner, 81 Kms from Sinnar, 83 Kms from Nashik, 161 Kms from Ahmednagar, 180 Kms from Mumbai and 180 Kms from Mumbai Airport. This temple is approached by road from Igatpuri and Sangamner Town via Bhandardara. It would be good to travel by taxi or car as through these mode of transports one can reach here directly. If traveling by bus, then one can get it from Igatpuri but only till Shendi. Further tourists will have to walk to reach the temple. Ratanwadi village is also approached by boat from Bhandardara. By boat, it is a 12 Kms journey and further it is a 4 km walk till Ratanwadi.

Monday, March 25, 2019

Mahakaleshwar Temple, Ujjain, Madhya Pradesh

Mahakaleshwar Temple, Ujjain, Madhya Pradesh
Mahakaleshwar Temple is a Hindu Temple dedicated to Lord Shiva located in Ujjain City in Ujjain District in Madhya Pradesh State, India. The temple is situated on the side of the Rudra Sagar lake. The temple of Mahakaleshwar, its shikhara soaring into the skies, an imposing façade against the skyline, evokes primordial awe and reverence with its majesty. The Temple is believed to be one among the twelve jyotirlinga shrines of Lord Shiva. It is also considered as Sakthi Peeth. Ujjain is situated on the right bank of River Shipra. It is a very holy city for the Hindus, a site for the triennial Kumbha Mela. According to Hindu scriptures, it was originally called Avantika. Ujjain is considered as one of the seven Moksha Puris.





Legends
For brief details, please refer below link;
History
For brief details, please refer below link;
The Temple
For brief details, please refer below link;
Temple Opening Time
The Temple remains open from 04.00 am in the morning till 11.00 pm in then night.
Pooja Timings
1. From the month Chaitra to Ashwin:
·        Morning Pooja: 7:00 AM - 7:30 AM
·        Mid-day Pooja: 10:00 AM - 10:30 AM
·        Evening Pooja: 5:00 PM - 5:30 PM
·        Aarti Shri Mahakal: 7:00 PM - 7:30 PM
·        Closing Time: 11:00 PM
2. From the month Kartik to Falgun:
·        Morning Pooja: 7:30 AM - 8:00 AM 
·        Mid-day Pooja: 10:30 AM - 11:00 AM 
·        Evening Pooja: 5:30 PM - 6:00 PM
·        Aarti Shri Mahakal: 7:30 PM - 8:00 PM 
·        Closing Time: 11:00 PM
Festivals
Mahashivaratri is the most famous festival celebrated here. Thousands of pilgrims flock to the fairgrounds near the Mahakaleshwar temple and do their worship throughout the night. Simhastha Kumbha Mela is a mammoth fair, held once in twelve years at Simhastha. The Puja-Archana, Abhisheka Aarati and other rituals are regularly performed all the year round in Mahakala temple.
Religious Significance
For brief details, please refer below link;
Connectivity
For brief details, please refer below link;
Location

Mahakaleshwar Temple, Ujjain – Connectivity

Mahakaleshwar Temple, Ujjain – Connectivity
The Temple is located at about 2 Kms from Shaheed Raja Bhau Mahakal Bus Stand, 2 Kms from Ujjain Junction Railway Station, 5 Kms from Nana Kheda Bus Stand, 41 Kms from Dewas, 57 Kms from Indore Airport, 57 Kms from Indore and 195 Kms from Bhopal. Ujjain is very well linked with Indore city and can be reached easily by road and train.
By Road:
Dewas Gate Stand and Nana Kheda Bus Stand are the two bus stands in the city that provide service to destinations located in the states. A large number of state run private buses are available for Ahmedabad, Jaipur, AjmerKhajurahoIndoreBhopalPuneMumbaiKotaManduJhalawar and various other locations. There are three state highways; 18 connects to Ahmedabad, 17 connects to Jaora and 27 connects to Indore. Ujjain depends on an extensive network of auto rickshaws, city busses, private taxis and Tata Magic, that operate throughout the city, connecting one part with another. UMC has recently introduced city buses with a public private partnership project.
By Train:
Ujjain Junction is the main railway station of Ujjain, and it is directly or indirectly well-connected to all the major railway stations in India. It lies on the RatlamBhopalIndoreNagda and GunaKhandwa route. To the west it is connected to Ratlam Junction, to the north it is connected with Nagda Junction, to the east it is connected with Maksi Junction & Bhopal Junction, and to the south it is connected to Indore Junction BG & Dewas Junction.
By Air:
Ujjain does not have any airport but has an airstrip on Dewas road which is used for air transport purposes. The nearest airport is the Devi Ahilyabai Holkar International Airport at Indore.

Mahakaleshwar Temple, Ujjain – Religious Significance

Mahakaleshwar Temple, Ujjain – Religious Significance
Jyotirlinga:
According to Shiva MahapuraanBrahma (The Creator) and Vishnu (The Preserver) once had a disagreement about which of them was supreme. To test them, Shiva pierced the three worlds as an immeasurable pillar of light, the JyotirlingaVishnu and Brahma parted company to determine the extent of each end of the pillar. Brahma, who had set off upward, lied that he had discovered the upper end of the pillar, but Vishnu, who had gone in the direction of the base of the pillar, admitted that he had not. Shiva then appeared as a second Jyotirlinga and cursed Brahma, telling him that he would have no place in the ceremonies, though Vishnu would be worshipped until the 'end of eternity'.
The Jyotirlinga is the supreme indivisible reality from which Shiva appears. jyotirlinga shrines commemorate this time when Shiva appeared. It was believed that there were originally sixty-four Jyothirlingas. Twelve are considered to be especially auspicious and holy. Each of the twelve sites takes the name of the presiding deity and each is considered a separate manifestation of Shiva. At all these sites, the primary deity is a lingam representing the beginning less and endless Stambha pillar, symbolizing the Shiva's infinite nature.
The twelve jyotirlingas are;
·        Somnath in Gujarat,
·        Mallikarjuna at Srisailam in Andhra Pradesh, 
·        Mahakaleswar at Ujjain in Madhya Pradesh, 
·        Omkareshwar in Madhya Pradesh
·        Kedarnath in Uttarakhand
·        Bhimashankar in Maharashtra
·        Viswanath at Varanasi in Uttar Pradesh
·        Triambakeshwar in Maharashtra
·        Vaidyanath at Deoghar in Jharkhand,
·        Nageshvara Jyotirlinga, 
·        Rameshwar at Rameswaram in Tamil Nadu,
·        Grishneshwar at Aurangabad in Maharashtra.
Sakthi Peeth:
The mythology of Daksha Yaga and Sati's self-immolation is the main theme in the origin of Shakti Peethas. Shakti Peethas are divine temples of Adi Parashakti. The cause of the presence of Devi's presence is due to the falling of body parts of the corpse of Sati Devi. The Upper Lip of Goddess Sati fell here, and the Shakti is called as Maha Kali. There are 51 Shakti Peeth linking to the 51 alphabets in Sanskrit. The shrine is revered as one of the 18 Maha Shakti Peetham.

Mahakaleshwar Temple, Ujjain – History

Mahakaleshwar Temple, Ujjain – History
Puranas narrate that it was first established by Prajapita Brahma. There is reference to the appointment of prince Kumara Sena by king Chanda Pradyota in 6th Century BC for looking after the law and order situations of Mahakala temple. The punch-marked coins of Ujjain, belonging to 4th - 3rd Century BC, bear the figure of Lord Siva on them. Mahakala temple is also mentioned in several ancient Indian poetic texts. According to these texts, the temple had been very magnificent and magnanimous. Its foundation and platform were built of stones. The temple rested on the wooden pillars. There had been no sikharas on the temples prior to the Gupta period. The roofs of temples had mostly been flat. Possibly due to this fact, Kalidasa in Raghuvamsa described this temple as ‘Niketana’. The palace of the king had been in the vicinity of the temple. In the early part of the Meghadutam (Purva Megha), Kalidasa gives a fascinating description of the Mahakala temple.
After the downfall of the Gupta empire, several dynasties including the Maitrakas, Chalukyas, Later Guptas, Kalachuris, Pusyabhutis, Gurjara Pratiharas, Rashtrakutas etc. dominated the political scenario in Ujjain one after the other. It also appeared that during Paramara period, a series of crisis prevailed over Ujjain and the Mahakala temple. The temple complex was destroyed by Sultan Shams-ud-din Iltutmish during his raid of Ujjain in 1234-5. A contemporary Mahakala Inscription testifies that the Mahakala temple was re-built immediately after destruction during the reign of Udayaditya and Naravarman. It was built in the Bhumija style of architecture, very favourite to the Paramaras. Remains available in the temple-complex and the neighboring places authenticate this fact.
Prabandha Chintamani, Vividha Tirtha Kalpataru, Prabandha Kosha all composed during 13th - 14th Century reveal this fact. Similar mention is made in Vikramacharit and Bhojacharita composed in 15th Century AD. According to the epic Hammira Mahakavya, Hammira, the ruler of Ranathambor worshipped Lord Mahakala while his stay in Ujjain. A few Sanads issued by the Sultans of Malwa and Mughal emperors have come to light in Ujjain which testifies that during the medieval period these Islamic rulers contributed some donations to priests for conducting worship, lighting the lamps and offering the prayers to divinity for the safety of their reign. Thus, it is evident that these Islamic rulers also had a respect for Mahakalesvara and they issued financial assistance for the appeasement of Hindu subjects too.
Maratha regime was established in Ujjain during 18th Century. The administration of Ujjain was assigned by Peshwa Bajirao-I to his commander Ranoji Shinde. The diwan of Ranoji Scindia was Sukhatanakar Ramchandra Baba Shenavi who was very wealthy he decided to invest his wealth for religious purposes. The present structure was built by him in 1734 CE. Further developments and management was done by other members of his dynasty, including Mahadji Scindia (1730–1794) and Daulat Rao Scindia's wife Baiza Bai. (1827–1863). During the reign of Jayajirao Scindia (until 1886), major programs of the then Gwalior State used to be held at this temple. After Independence the Dev Sthan Trust was replaced by the municipal corporation of Ujjain. Nowadays it is under the collectorate office of Ujjain District.

Mahakaleshwar Temple, Ujjain – Legends

Mahakaleshwar Temple, Ujjain – Legends

Sakthi Peeth:
In Hindu mythology, Daksha Yajna or Daksha-Yaga is an important event, which is narrated in various Hindu scriptures. It refers to a yajna (sacrifice) organized by Daksha, where his daughter Sati immolated herself. The wrath of god Shiva, Sati's husband, thereafter destroyed the sacrifice. The tale is also called Daksha-Yajna-Nasha (destruction of Daksha's sacrifice). The story forms the basis of the establishment of the Shakti Peethas, temples of the Hindu Divine Mother. It is also becoming a prelude to the story of Parvati, Sati's reincarnation who later marries Shiva. The mythology is mainly told in the Vayu Purana. It is also mentioned in the Kasi Kanda of the Skanda Purana, the Kurma PuranaHarivamsa Purana and Padma PuranaLinga PuranaShiva Purana, and Matsya Purana also detail the incident.
Sati-Shiva marriage:
Daksha was one of the Prajapati, son of Brahma, and among his foremost creations. The name Daksha means "skilled one". Daksha had two wives: Prasoothi and Panchajani (Virini). Sati (also known as ‘‘Uma’’) was his youngest daughter; born from Prasoothi (the daughter of the Prajapati Manu), she was the pet child of Daksha and he always carried her with him. Sati (meaning truth) is also called Dakshayani as she followed Daksha’s path; this is derived from the Sanskrit words Daksha and Ayana (walk or path).
Sati, the youngest daughter of Daksha, was deeply in love with the god Shiva and wished to become his wife. Her worship and devotion of Shiva strengthened her immense desire to become his wife. However, Daksha did not like his daughter’s yearning for Shiva, mainly because he was a Prajapati and the son of the god Brahma; his daughter Sati was a royal princess. They were wealthy nobility and their imperial royal lifestyle was entirely different from that of Shiva.
As an emperor, Daksha wanted to increase his influence and power by making marriage alliances with powerful empires and influential sages and gods. Shiva on the other hand led a very modest life. He lived among the downtrodden, wore a tiger skin, smeared ashes on his body, had thick locks of matted hair, and begged with a skull as bowl. His abode was Mount Kailash in the Himalayas. He embraced all kinds of living beings and did not make any distinction between good souls and bad souls.
The Bhutaganas, his followers, consisted of all kinds of ghosts, demons, ghouls and goblins. He wandered through garden and graveyard alike. As a consequence, Daksha had aversion towards Shiva being his daughter’s companion. However, unlike Daksha, Sati loved Shiva as she had the revelation that Shiva was the Supreme God. Sati won Shiva as her husband by undergoing severe austerities (tapas). Despite Daksha's disappointment, Sati married Shiva.
Brahma's Yajna:
Once Brahma conducted a huge yajna (sacrifice), where all the Prajapatis, gods and kings of the world were invited. Shiva and Sati were also called on to participate in the yajna. All of them came for the yajna and sat in the ceremonial place. Daksha came last. When he arrived, everyone in the yajna, with the exception of Brahma, Shiva and Sati, stood up showing reverence for him. Brahma being Daksha's father and Shiva being Daksha's son-in-law were considered superior in stature to Daksha. Daksha misunderstood Shiva’s gesture and considered Shiva's gesture as an insult. Daksha vowed to take revenge on the insult in the same manner.
Daksha Yaga:
Daksha’s grudge towards Shiva grew after Brahma's yajna. With the prime motive of insulting Shiva, Daksha initiated a great yajna, similar to that of Brahma. The yajna was to be presided over by the sage Bhrigu. He invited all the gods, Prajapatis and kings to attend the yajna and intentionally avoided inviting Shiva and Sati.
Dadhichi – Daksha argument:
The Kurma Purana discusses the dialogues between the sage Dadhichi and Daksha. After the sacrifice and hymns where offered to the twelve Aditya gods; Dadhichi noticed that there was no sacrificial portion (Havvis) allotted to Shiva and his wife, and no Vedic hymns were used in the yajna addressing Shiva which were part of Vedic hymns. He warned Daksha that he should not alter the Holy Vedas for personal reasons; the priests and sages supported this. Daksha replied to Dadhichi that he would not do so and insulted Shiva. Dadhichi left the yajna because of this argument.
Sati's Death:
Sati came to know about the grand yajna organized by her father and asked Shiva to attend the yajna. Shiva refused her request, saying that it was inappropriate to attend a function without being invited. He reminded her that she was now his wife more than Daksha’s daughter and, after marriage, is a member of Shiva’s family rather than Daksha’s. The feeling of her bond to her parents overpowered the social etiquette she had to follow. She even had a notion that there was no need to have received an invitation in order to attend as she was Daksha’s favourite daughter and no formality existed between them.
She constantly pleaded and urged Shiva to let her attend the ceremony and became adamant in her demands without listening to the reasons Shiva provided for not attending the function. He allowed Sati to go to her parents' home, along with his followers including Nandi, and attend the ceremony, but refused to accompany with her. Upon arriving, Sati tried to meet her parents and sisters; Daksha was arrogant and avoided interacting with Sati. He repeatedly snubbed her in front of all the dignitaries, but Sati maintained her composure.
Because of Sati’s persistence in trying to meet him, Daksha reacted vehemently, insulting her in front of all the other guests at the ceremony to which she had not been invited. He called Shiva an atheist and cremation ground dweller. As planned, he took advantage of the situation and continued shouting repugnant words against Shiva. Sati felt deep remorse for not listening to her beloved husband. Daksha’s disdain towards her, and especially her husband Shiva, in front of all the guests was growing each moment she stood there. The shameless insult and humiliation of her and her beloved, eventually became too much to bear.
She cursed Daksha for acting so atrociously toward her and Shiva and reminded him that his haughty behaviour had blinded his intellect. She cursed him and warned that the wrath of Shiva would destroy him and his empire. Unable to bear further humiliation, Sati committed suicide by jumping into the sacrificial fire. The onlookers tried to save her, but it was too late. They were only able to retrieve the half-burnt body of Sati.
Daksha's pride in being a Prajapati and his prejudice against his son-in-law created a mass hatred within himself, which resulted in the death of his daughter. The Nandi and the accompanying Bhootaganas left the yajna place after the incident. Nandi cursed the participants and Bhrigu reacted by cursing the Bhootaganas back.
Destruction of the Yajna by Lord Shiva:
Lord Shiva was deeply pained upon hearing of his wife's death. His grief grew into a terrible anger when he realized how Daksha had viciously plotted a treachery against him; but it was his innocent wife who fell into the trap instead of him. Shiva learned of Daksha’s callous behaviour towards Sati. Shiva's rage became so intense that he plucked a lock of hair from his head and smashed it on the ground, breaking it into two with his leg. Armed and frightening, two fearsome beings Virabhadra and Bhadrakali (Rudrakali) emerged. Lord Shiva ordered them to kill Daksha and destroy the yajna.
The ferocious Virabhadra and Bhadrakali, along with the Bhutaganas, reached the yajna spot. The invitees renounced the yajna and started running away from the turmoil. Sage Bhrigu created an army with his divine penance powers to resist Shiva’s attack and protect the yajna. Bhrigu’s army was demolished and the entire premises were ravaged. All those who participated, even the other Prajapatis and the gods, were mercilessly beaten, wounded or even slaughtered.
The Vayu Purana mentions the attack of Bhutaganas: the nose of some goddesses were cut, Yama's staff bone was broken, Mitra's eyes were pulled out, Indra was trampled by Virabhadra and Bhutaganas, Pushan's teeth were knocked out, Chandra was beaten heavily, all of the Prajapatis' were beaten, the hands of Vahini were cut off, and Bhrigu's beard was cut off. Daksha was caught and decapitated, the attack culminated when the Bhutaganas started plucking out Bhrigu’s white beard as a victory souvenir. 
The Vayu Purana do not mention the decapitation of Daksha, instead it says Yagna, the personification of yajna took the form of an antelope and jumped towards the sky. Virabhadra captured it and decapitated Yagna. Daksha begs mercy from the Parabrahmam (the Supreme Almighty who is formless), who rose from the yajna fire and forgives Daksha. The Parabrahmam informs Daksha that Shiva is in fact a manifestation of Parabrahmam. Daksha then becomes a great devotee of Shiva. The Linga Purana and Bhagavatha Purana mention the decapitation of Daksha.
Certain other puranas like Harivamsa, Kurma, and Skanda narrate the story from the perspective of the Vaishnava-Shaiva community feud prevalent in ancient times. In these puranas, there are fights between Vishnu and Shiva or Virabhadra, with various victors throughout. The story of Daksha Yaga in Vaishnava and Shaiva puranas end with the surrendering of Daksha to the Parabrahmam or with the destruction of yajna and decapitation of Daksha.
Aftermath:
As the obstruction of the yajna will create havoc and severe ill effects on the nature, Brahma and the god Vishnu went to the grief-stricken Lord Shiva. They comforted and showed their sympathy towards Shiva. They requested him to come to the yajna location and pacify the Bhutaganas and allow the Yaga to be completed; Shiva agreed. Shiva found the burnt body of Sati. Shiva gave permission to continue yajna. Daksha was absolved by Shiva and the head of a ram (Male goat) meant for yajna was fixed on the decapitated body of Daksha and gave his life back. The yajna was completed successfully.
The later story is an epilogue to the story of Daksha yajna mentioned in Shakta Puranas like Devi Bhagavata Purana, Kalika Purana and the folklores of various regions. Shiva was so distressed and could not part from his beloved wife. He took the corpse of Sati and wandered around the universe. To reduce Shiva's grief, Vishnu cuts Sati's corpse as per Vaishnava Puranas; whose parts fell on the places Shiva wandered. The Shaiva version says that her body disintegrated on its own and the parts fell while Shiva was carrying Sati's corpse in various places. The Upper Lip of Goddess Sati fell here, and the Shakti is called as Maha Kali. The shrine is revered as one of the 18 Maha Shakti Peetham
These places commemorating each body part came to be known as the Shakti Peethas. There are 51 Shakti Peethas, representing the 51 letters of Sanskrit. Some of the puranas which came in later ages gave more importance to their supreme deity (depending on Vaishnava, Shaiva, and Shakta sects) in their literature. Shiva went to isolation and solitude for ages and wandered all around until Sati reincarnated as Parvati, the daughter of the King Himavan. Like Sati, Parvati took severe austerities and gave away all her royal privileges and went to forest. Shiva tested her affection and devotion in disguise. He eventually realized Parvati is Sati herself. Shiva later married Parvati.
Jyotirlinga:
According to Shiva MahapuraanBrahma (The Creator) and Vishnu (The Preserver) once had a disagreement about which of them was supreme. To test them, Shiva pierced the three worlds as an immeasurable pillar of light, the JyotirlingaVishnu and Brahma parted company to determine the extent of each end of the pillar. Brahma, who had set off upward, lied that he had discovered the upper end of the pillar, but Vishnu, who had gone in the direction of the base of the pillar, admitted that he had not. Shiva then appeared as a second Jyotirlinga and cursed Brahma, telling him that he would have no place in the ceremonies, though Vishnu would be worshipped until the 'end of eternity'.
The Jyotirlinga is the supreme indivisible reality from which Shiva appears. jyotirlinga shrines commemorate this time when Shiva appeared. It was believed that there were originally sixty-four Jyothirlingas. Twelve are considered to be especially auspicious and holy. Each of the twelve sites takes the name of the presiding deity and each is considered a separate manifestation of Shiva. At all these sites, the primary deity is a lingam representing the beginning less and endless Stambha pillar, symbolizing the Shiva's infinite nature.
The twelve jyotirlingas are;
·        Somnath in Gujarat,
·        Mallikarjuna at Srisailam in Andhra Pradesh, 
·        Mahakaleswar at Ujjain in Madhya Pradesh, 
·        Omkareshwar in Madhya Pradesh
·        Kedarnath in Uttarakhand
·        Bhimashankar in Maharashtra
·        Viswanath at Varanasi in Uttar Pradesh
·        Triambakeshwar in Maharashtra
·        Vaidyanath at Deoghar in Jharkhand,
·        Nageshvara Jyotirlinga, 
·        Rameshwar at Rameswaram in Tamil Nadu,
·        Grishneshwar at Aurangabad in Maharashtra.
Mahakala:
According to legend, there was a ruler of Ujjain called Chandrasena, who was a pious devotee of Lord Shiva and worshiped him all the time. One day, a farmer's boy named Shrikhar was walking on the grounds of the palace and heard the King chanting the Lord's name and rushed to the temple to start praying with him. However, the guards removed him by force and sent him to the outskirts of the city near the river Kshipra. Rivals of Ujjain, primarily King Ripudamana and King Singhaditya of the neighboring kingdoms decided to attack the Kingdom and take over its treasures around this time.
Hearing this, Shrikhar started to pray and the news spread to a priest named Vridhi. He was shocked to hear this and upon the urgent pleas of his sons, started to pray to Lord Shiva at the river Kshipra. The Kings chose to attack and were successful; with the help of the powerful demon Dushan, who was blessed by Lord Brahma to be invisible, they plundered the city and attacked all the devotees of Lord Shiva. Upon hearing the pleas of his helpless devotees, Lord Shiva appeared in his Mahakala form and destroyed the enemies of King Chandrasena.
Upon the request of his devotees Shrikhar and Vridhi, Lord Shiva agreed to reside in the city and become the chief deity of the Kingdom and take care of it against its enemies and to protect all his devotees. From that day on, Lord Shiva resided in his light form as Mahakala in a Lingam that was formed on its own from the powers of the Lord and his consort, Parvati. The Lord also blessed his devotees and declared that people who worshipped him in this form would be free from the fear of death and diseases. Also, they would be granted worldly treasures and be under the protection of the Lord himself.
Fruit of Immortality:
Bharthari was the elder son of King Gandarva Sena and received the kingdom of Ujjain from the celestial god Indra and the King of Dhara. When Bharthari was king of Ujjaini (modern day Ujjain) in his state, there lived a Brahman who after years of austerities was given the fruit of immortality from the celestial tree of Kalpa Vriksha. The Brahman presented the same to his monarch, Raja Bharthari, who in turn, passed it on to his love, the beautiful, Pinglah Rani or Ananga Sena Raja Bharthari's last and youngest wife. The queen, being in love with the head police officer of the state, Mahipaala, presented the fruit to him, who further passed it on to his beloved, Lakha, one of the maids of honour.
Eventually, Lakha being in love with the king presented the fruit back to the king. Having completed the circle, the fruit revealed the downsides of infidelity to the king, he summoned the queen and ordered her beheading, and ate the fruit himself. After that he abdicated the throne and became a religious mendicant. He later became a disciple of Pattinatthar (Swetharanyar or Pattinaththu Chettiyar is poorvasrama name of this saint from Poompuhar, Tamil Nadu) who first indulged in an argument about samsari and sanyasi with king Bharthari.
Later during the conversation Pattinatthar said that all women have 'dual mind' and it might be the true case even with Parameswari. King conveyed this news to rani Pinglah and she ordered Pattinathar to get punished and to sit in 'Kalu Maram' (Tree, whose top portion would be sharpened like a pencil and whole tree is fully coated with oil, a person who is punished to sit in the top will be split into 2 pieces), they tried to kill Pattinatthar, but Kalu Maram started burning and nothing happened to Pattinathar, the king came to know this news and went directly to Pattinathar and asked him to get ready to die the next day, but Pattinathar replied, " I'm ready right now, to die".
The next day king came with tears in his eyes and released saint from jail because he actually noticed queen Pinglah in love with horsemen that night, He threw away his empire, wealth, even full coat dress and dressed in a simple Kovanam (loin cloth), the king became a disciple of Pattinatthar and got Mukthi (salvation) in Kalahasthi temple.
Origin of the City:
There is an interesting tale behind the sanctity of the city. It's origin is ascribed to the mythological legend of Sagar Manthan (churning of primordial ocean to discover the pot of nectar). The story goes that after the nectar was discovered, there was a chase between the gods and demons to have the nectar first and thus attain immortality. During this chase a drop of nectar spilled and fell on Ujjain, thus making the city sacred.
Annihilation of Dushanan:
There once lived a Brahmin in Avanti, who had four sons, who were great devotees of Lord Siva. Dushanan, a demon was giving trouble, disturbing all good & religious activities. The brahmins from all over the land gathered with the four sons & performed pooja to Lord Siva. The spot where they had taken mud to make the Lingam, had become a huge pond. When Dushanan came to disturb their pooja, Lord Siva rose from this pond as Mahakaleshwar & destroyed Dushanan. On the request of the brahmins, Lord Siva gave darshan to devotees at this place, one of the Jyotirlinga Sthalams.
References in Hindu Scriptures:
According to the Puranas, the city of Ujjain was called Avantika and was famous for its beauty and its status as a devotional epicenter. It was also one of the primary cities where students went to study holy scriptures.