Jarai Ka Math, Barua Sagar –
The Temple
This temple is facing towards
east and considered as an excellent example of early Pratihara architecture.
The temple stands on an elevated ground that dominates the surrounding area. This temple might have been built in panchayatana style of
architecture. Panchayatana is an architectural style where the main shrine is
built on a raised platform with four smaller subsidiary shrines at the four
corners and making it a total of five shrines. However, only the subsidiary shrines on southwest and
northwest corner survives at present.
The temple consists of sanctum,
antrala and mukha mandapa. The mukha mandapa is completely lost except its
foundation. The temple is pancharatha on plan. The doorjamb of the sanctum
doorway has four bands of decoration. The lintel of the doorway has four rows
of figures. The topmost row shows five dancing deities, one of them is goddess
Sarasvati holding Veena. The next row below shows the ashtadikpalas riding on
their respective mounts. Two images of Varahi facing each other can be seen at
the centre of this row.
The next row below shows images
of Brahma, Vishnu, and Shiva with two Bikshadana at the cardinal points. The
lowest row depicts images of six goddesses namely Gaja Lakshmi, Brahmi,
Maheshvari, Sarasvati, Vaishnavi, and Indrani. The lowest row has a mutilated
image of sixteen-armed goddess at lalatabimba at center. The lower panel
attached to the lalatabimba shows navagrahas on the left and Sapta Matrikas on
the right accompanied by Veerabhadra & Ganesha flanked by Brahma and Shiva
on the cardinal point.
Dvarapalas and river goddesses
Ganga & Yamuna can be seen at the base of the doorjambs. An image of
Lakulisa with his four disciples can be seen above the Yamuna. The sanctum is
rectangular in plan. The main image of the deity is missing from the sanctum.
Only the pedestal, and the jeweled right foot of a female placed on a
lotus stalk, remains. The jeweled foot on the lotus stalk is associated with
the Goddess Tara or Mateswari. The ashtadikpalas can be seen at their
respective directions over the karna niches of the shikara.
The niches of the adhistana has
images of Varahi, Durga & Chamunda on the south, images of four-armed
Harihara, Kartikeya & Bhairava on the west and images of Kalyana Sundara,
Kubera, Ardhanareesvara and Durga on the north. There is one Bhadra niche on
each lateral side on south and north and two niches on the west due to the
rectangular arrangement of the sanctum.
Images of Narasimha on the
south, Surya riding chariot accompanied with Danda & Pingala and three-head
& three-legged Shiva on the west, Lakshmi-Narayana accompanied with
Shankha-purusha and Chakra-purusha on the north can be seen on these niches. The
top portion of the shikara had been lost completely and only five tiers of the
original shikara survived. The shikhara was probably reconstructed during 17th
century CE by the Bundela rulers. Erotic sculptures similar to Khajuraho can be
found in the exterior walls of the temple.