Saturday, April 11, 2020

Hanuman Sculpture, Billawar, Jammu and Kashmir

Hanuman Sculpture, Billawar, Jammu and Kashmir
An ancient Hanuman Sculpture can be found carved on a rock boulder in the middle of the river Naz in Billawar Town in Kathua District in Union Territory of Jammu and Kashmir. It is located at about 200 meters from Billawar Bus Stand, 55 Kms from Basohli, 72 Kms from Pathankot, 73 Kms from Kathua, 79 Kms from Pathankot Airport, 88 Kms from Udhampur, 113 Kms from Katra, 114 Kms from Jammu Airport, 117 Kms from Jammu, 286 Kms from Srinagar and 289 Kms from Srinagar Airport. Billawar is situated on Delhi – Jammu Route on NH – 1A. Billawar is connected to Jammu, Udhampur, Kathua, Basoli, Delhi, Haridwar, Pathankot, Lakhanpur, Lornoo etc. by regular bus service.


Location

Harihara Temple, Billawar, Jammu and Kashmir

Harihara Temple, Billawar, Jammu and Kashmir
Harihara Temple is a Hindu Temple dedicated to Lord Shiva located in Billawar Town in Kathua District in Union Territory of Jammu and Kashmir. The Temple is also famously called as Mahabilvakeshwar Temple. The Temple is situated on the banks of Bhinni River, the main tributary of River Ujh. Billawar is also known as Balaur, Villapur and Belapur. This Temple is one of the listed sites under Archeological survey of India.


Legends
For brief details, please refer below link;
History
Raja Bhog Pal, a son of the king of Kullu Valley, founded Basohli and established Billawar as the capital in 765 A.D. after subduing Rana Billo, a feudal chief who once ruled the area. The ruling house was subsequently known as Balouria, deriving name from Balor. Billawar was called as Villapur in ancient times. The town was mentioned in Kalhana's Rajatarangini, the chronology of kings. During the reign of Raja Anant of Kashmir, King Kalsha ruled Villapur. Sussala, the ruler of Kashmir was married to the daughter of Villlapur's ruler. It was evident that there was close political and cultural relations between Kashmir & Billawar in ancient times.


Billawar was situated on an important ancient trade route from Haridwar to Kashmir, which according to Alberuni passed through Pinjor (near Chandigarh) Dahmala (Nurpur), Billawar, Ladha and Rajapuri fort, before going to North through Pir Panjal pass. The temple is dated to 10th Century CE. It was destroyed by the troops of Babur. But according to others, it collapsed 150 years ago in the reign of Raja Bhupinder Pal.


The Temple
For brief details, please refer below link;
Connectivity
The Temple is located at about 400 meters from Billawar Bus Stand, 55 Kms from Basohli, 72 Kms from Pathankot, 73 Kms from Kathua, 79 Kms from Pathankot Airport, 88 Kms from Udhampur, 113 Kms from Katra, 114 Kms from Jammu Airport, 117 Kms from Jammu, 286 Kms from Srinagar and 289 Kms from Srinagar Airport. Billawar is situated on Delhi – Jammu Route on NH – 1A. Billawar is connected to Jammu, Udhampur, Kathua, Basoli, Delhi, Haridwar, Pathankot, Lakhanpur, Lornoo etc. by regular bus service.
Location

Harihara Temple, Billawar – Legends

Harihara Temple, Billawar – Legends
Pandavas worshipped Lord Shiva here:
As per legend, Pandavas visited Billawar in the last year of their exile and were attracted by Bael or Bilwa trees abundant in the region. Mahabilvakeshwar Temple was built by the Pandavas for their worship during their stay in this town.
Mahabilvakeshwar:
Once, the place was abundant with Bael or Bilwa trees. The temple was situated inside the Bilwa Forest. Hence, the Temple came to be called as Mahabilvakeshwar Temple.
Association with Maharaja Hari Singh family:
This temple was close to Maharaja Hari Singh, the last ruling Maharaja of the princely state of Jammu and Kashmir in India. There is an old saying that, if there is a mishappening /causality in this royal family, a brick / stone having a spot of blood falls from the temple.
King Babhruvahana, builder of this Temple:
As per legend, this temple was believed to be built by King Babhruvahana, son of Arjuna.
Billawar:
The ancient name of the place was Belapur or Villapur. Later, it got corrupted to Billawar.

Harihara Temple, Billawar – The Temple

Harihara Temple, Billawar – The Temple
This is a west facing temple. The temple is a local variant of the Indo-Aryan style or North Indian temple architecture with little influences of Kashmir temple architecture. The Temple is built on a three feet high platform. The Temple is Navratha on plan and consists of a square sanctum internally crowned by curvilinear sikhara, Antarala and a pillared mandapa.


The Mandapa is collapsed. Only north and west wall of the Mandapa remains. A low wall has been constructed on the east side utilizing old materials. A square slab with lotus rosettes can be seen in the newly constructed east wall. This slab once might have been part of the central ceiling of the Mandapam.

The roof of the Mandapa might have been supported by four pillars. Presiding Deity is called as Mahabilvakeshwar / Harihara. He is housed in the sanctum in the form of Lingam. The Vimana over the sanctum is about 60 feet high. The wall portion has plain mouldings at the base and top.

It has niched shrines for Parsvadevatas on its central rathas and is studded with Dikpalas figures and rosettes in pedimented niches at the corners and flanking rathas. The Vimana is decorated with lotus motifs. Lord Brahma, Lord Vishnu and five headed Lord Shiva (5-headed), Lord Ganesha and Lord Bhairava are the others idols worshipped in this Temple.


Parshuram Mahadev Temple, Rajsamand, Rajasthan

Parshuram Mahadev Temple, Rajsamand, Rajasthan
Parshuram Mahadev Temple is a Hindu Cave Temple dedicated to Lord Shiva located at border of Pali and Rajsamand district of Rajasthan state in India. This Temple is situated at 3,995 feet above sea-level in the foothills of the Aravalis mountain range. The Temple is also known as Amarnath temple of Rajasthan and second Amarnath temple of India.



Legends
It is said that Parshuram, the sixth avatar of Lord Vishnu, made the cave with his axe and used to worship the lord Shiva at this serene place in the foothills of the Aravalis mountain range.



The Temple
The cave is situated at 3,995 feet above sea-level. There are 500 steps to be climbed to reach this ancient cave. This natural cavern houses a natural self-formed Shiva Linga. The surprising thing is that the entire cave remains in the same rock. Inside this cave temple, there is a location where Parshuram, the sixth incarnation of Vishnu, had performed rigorous penance for many years of Lord Shiva. The Cave has naturally made figures of Lord Ganesha and Lord Shiva and also has nine Kunds which never go dry.




Festivals
Fairs are organised here twice a year. On the Shravan Shukla Sastami and Saptami (6th and 7th) usually falling in August/September a large fair held. Some social organisations, notably Amar Ganga Charitable Trust, have been arranging food and lodging facilities for the past many years. The trust also organises 'Sangeet Sandhya' (musical nights) during fairs where local artists sing devotional songs. According to an estimate, around 900,000 people visit the holy place every year.
Connectivity
The Temple is located at about 8 Kms from Kumbhalgarh, 8 Kms from Kumbhalgarh Fort, 37 Kms from Sadri, 53 Kms from Rajsamand, 65 Kms from Falna Railway Station, 67 Rani Railway Station, 113 Kms from Pali, 100 Kms from Udaipur and 103 Kms from Udaipur Airport. The Temple is situated on the border of Rajsamand and Pali district of Rajasthan. The main cave temple comes in Rajsamand district whereas Kund Dham comes in Pali district.
One can easily reach at Sadari by bus from all over Rajasthan. At Sadari, local taxi and jeeps are available to reach the Kund.  From Kund, devotees has to walk 2 Kms through hilly narrow path to reach at top, and then from top there is around 400 narrow steps to reach at natural cavern. 
The Temple is well connected through nearest Falna and Rani Railway station to major cities railway stations like Delhi, Agra, Mumbai, Chennai, Bikaner, Jodhpur, Jaipur, Ahmedabad. The Temple can be reached through nearest Udaipur Airport which is well connected with regular domestic flights to Delhi, Kolkata, Mumbai, Ahmedabad, Jodhpur and Jaipur.

Manibandh Shakti Peeth, Pushkar, Rajasthan

Manibandh Shakti Peeth, Pushkar, Rajasthan
Manibandh Shakti Peeth is a Hindu Temple dedicated to Goddess Sakthi located near Pushkar Town in Rajasthan State in India. This Temple is also called as Chamunda Devi Temple / Gayathri Temple. The Temple is situated on top of Gayathri Hills. This Sakthi Peeth is situated amidst a major pilgrimage center Pushkar yet remains relatively unknown. This temple is considered as the ideal place for Gayathri Mantra sadhana. 




Legends
For brief details, please refer below link;
The Temple
The Temple is situated on top of Gayathri Hills. The main deity is Goddess Gayatri Devi / Aadi Shakti in Durga form. The Bhairava associated with this Temple is Sharvananda. There are idols of Ganesh and Kali towards extreme corners (left and right), in the temple premises.




Festivals
Pushkar Mela, Navratri and Shivaratri are the festivals celebrated here with much fanfare.
Connectivity
The Temple is located at about 2 Kms from Pushkar Brahma Temple, 3 Kms from Pushkar Bus Stand, 3 Kms from Pushkar Railway Station, 16 Kms from Ajmer Railway Station, 17 Kms from Ajmer, 152 Kms from Jaipur and 157 Kms from Jaipur Airport. Pushkar is situated on Jaipur to Jodhpur Road.
Location

Manibandh Shakti Peeth, Pushkar – Legends

Manibandh Shakti Peeth, Pushkar – Legends
In Hindu mythology, Daksha Yajna or Daksha-Yaga is an important event, which is narrated in various Hindu scriptures. It refers to a yajna (sacrifice) organized by Daksha, where his daughter Sati immolated herself. The wrath of god Shiva, Sati's husband, thereafter destroyed the sacrifice. The tale is also called Daksha-Yajna-Nasha (destruction of Daksha's sacrifice). The story forms the basis of the establishment of the Shakti Peethas, temples of the Hindu Divine Mother. It is also becoming a prelude to the story of Parvati, Sati's reincarnation who later marries Shiva. The mythology is mainly told in the Vayu Purana. It is also mentioned in the Kasi Kanda of the Skanda Purana, the Kurma PuranaHarivamsa Purana and Padma PuranaLinga PuranaShiva Purana, and Matsya Purana also detail the incident.
Sati-Shiva marriage:
Daksha was one of the Prajapati, son of Brahma, and among his foremost creations. The name Daksha means "skilled one". Daksha had two wives: Prasoothi and Panchajani (Virini). Sati (also known as ‘‘Uma’’) was his youngest daughter; born from Prasoothi (the daughter of the Prajapati Manu), she was the pet child of Daksha and he always carried her with him. Sati (meaning truth) is also called Dakshayani as she followed Daksha’s path; this is derived from the Sanskrit words Daksha and Ayana (walk or path).
Sati, the youngest daughter of Daksha, was deeply in love with the god Shiva and wished to become his wife. Her worship and devotion of Shiva strengthened her immense desire to become his wife. However, Daksha did not like his daughter’s yearning for Shiva, mainly because he was a Prajapati and the son of the god Brahma; his daughter Sati was a royal princess. They were wealthy nobility and their imperial royal lifestyle was entirely different from that of Shiva.
As an emperor, Daksha wanted to increase his influence and power by making marriage alliances with powerful empires and influential sages and gods. Shiva on the other hand led a very modest life. He lived among the downtrodden, wore a tiger skin, smeared ashes on his body, had thick locks of matted hair, and begged with a skull as bowl. His abode was Mount Kailash in the Himalayas. He embraced all kinds of living beings and did not make any distinction between good souls and bad souls.
The Bhutaganas, his followers, consisted of all kinds of ghosts, demons, ghouls and goblins. He wandered through garden and graveyard alike. As a consequence, Daksha had aversion towards Shiva being his daughter’s companion. However, unlike Daksha, Sati loved Shiva as she had the revelation that Shiva was the Supreme God. Sati won Shiva as her husband by undergoing severe austerities (tapas). Despite Daksha's disappointment, Sati married Shiva.
Brahma's Yajna:
Once Brahma conducted a huge yajna (sacrifice), where all the Prajapatis, gods and kings of the world were invited. Shiva and Sati were also called on to participate in the yajna. All of them came for the yajna and sat in the ceremonial place. Daksha came last. When he arrived, everyone in the yajna, with the exception of Brahma, Shiva and Sati, stood up showing reverence for him. Brahma being Daksha's father and Shiva being Daksha's son-in-law were considered superior in stature to Daksha. Daksha misunderstood Shiva’s gesture and considered Shiva's gesture as an insult. Daksha vowed to take revenge on the insult in the same manner.
Daksha Yaga:
Daksha’s grudge towards Shiva grew after Brahma's yajna. With the prime motive of insulting Shiva, Daksha initiated a great yajna, similar to that of Brahma. The yajna was to be presided over by the sage Bhrigu. He invited all the gods, Prajapatis and kings to attend the yajna and intentionally avoided inviting Shiva and Sati.
Dadhichi – Daksha argument:
The Kurma Purana discusses the dialogues between the sage Dadhichi and Daksha. After the sacrifice and hymns where offered to the twelve Aditya gods; Dadhichi noticed that there was no sacrificial portion (Havvis) allotted to Shiva and his wife, and no Vedic hymns were used in the yajna addressing Shiva which were part of Vedic hymns. He warned Daksha that he should not alter the Holy Vedas for personal reasons; the priests and sages supported this. Daksha replied to Dadhichi that he would not do so and insulted Shiva. Dadhichi left the yajna because of this argument.
Sati's Death:
Sati came to know about the grand yajna organized by her father and asked Shiva to attend the yajna. Shiva refused her request, saying that it was inappropriate to attend a function without being invited. He reminded her that she was now his wife more than Daksha’s daughter and, after marriage, is a member of Shiva’s family rather than Daksha’s. The feeling of her bond to her parents overpowered the social etiquette she had to follow. She even had a notion that there was no need to have received an invitation in order to attend as she was Daksha’s favourite daughter and no formality existed between them.
She constantly pleaded and urged Shiva to let her attend the ceremony and became adamant in her demands without listening to the reasons Shiva provided for not attending the function. He allowed Sati to go to her parents' home, along with his followers including Nandi, and attend the ceremony, but refused to accompany with her. Upon arriving, Sati tried to meet her parents and sisters; Daksha was arrogant and avoided interacting with Sati. He repeatedly snubbed her in front of all the dignitaries, but Sati maintained her composure.
Because of Sati’s persistence in trying to meet him, Daksha reacted vehemently, insulting her in front of all the other guests at the ceremony to which she had not been invited. He called Shiva an atheist and cremation ground dweller. As planned, he took advantage of the situation and continued shouting repugnant words against Shiva. Sati felt deep remorse for not listening to her beloved husband. Daksha’s disdain towards her, and especially her husband Shiva, in front of all the guests was growing each moment she stood there. The shameless insult and humiliation of her and her beloved, eventually became too much to bear.
She cursed Daksha for acting so atrociously toward her and Shiva and reminded him that his haughty behavior had blinded his intellect. She cursed him and warned that the wrath of Shiva would destroy him and his empire. Unable to bear further humiliation, Sati committed suicide by jumping into the sacrificial fire. The onlookers tried to save her, but it was too late. They were only able to retrieve the half-burnt body of Sati.
Daksha's pride in being a Prajapati and his prejudice against his son-in-law created a mass hatred within himself, which resulted in the death of his daughter. The Nandi and the accompanying Bhootaganas left the yajna place after the incident. Nandi cursed the participants and Bhrigu reacted by cursing the Bhootaganas back.
Destruction of the Yajna by Lord Shiva:
Lord Shiva was deeply pained upon hearing of his wife's death. His grief grew into a terrible anger when he realized how Daksha had viciously plotted a treachery against him; but it was his innocent wife who fell into the trap instead of him. Shiva learned of Daksha’s callous behavior towards Sati. Shiva's rage became so intense that he plucked a lock of hair from his head and smashed it on the ground, breaking it into two with his leg. Armed and frightening, two fearsome beings Virabhadra and Bhadrakali (Rudrakali) emerged. Lord Shiva ordered them to kill Daksha and destroy the yajna.
The ferocious Virabhadra and Bhadrakali, along with the Bhutaganas, reached the yajna spot. The invitees renounced the yajna and started running away from the turmoil. Sage Bhrigu created an army with his divine penance powers to resist Shiva’s attack and protect the yajna. Bhrigu’s army was demolished and the entire premises were ravaged. All those who participated, even the other Prajapatis and the gods, were mercilessly beaten, wounded or even slaughtered.
The Vayu Purana mentions the attack of Bhutaganas: the nose of some goddesses were cut, Yama's staff bone was broken, Mitra's eyes were pulled out, Indra was trampled by Virabhadra and Bhutaganas, Pushan's teeth were knocked out, Chandra was beaten heavily, all of the Prajapatis' were beaten, the hands of Vahini were cut off, and Bhrigu's beard was cut off. Daksha was caught and decapitated, the attack culminated when the Bhutaganas started plucking out Bhrigu’s white beard as a victory souvenir. 
The Vayu Purana do not mention the decapitation of Daksha, instead it says Yagna, the personification of yajna took the form of an antelope and jumped towards the sky. Virabhadra captured it and decapitated Yagna. Daksha begs mercy from the Parabrahmam (the Supreme Almighty who is formless), who rose from the yajna fire and forgives Daksha. The Parabrahmam informs Daksha that Shiva is in fact a manifestation of Parabrahmam. Daksha then becomes a great devotee of Shiva. The Linga Purana and Bhagavatha Purana mention the decapitation of Daksha.
Certain other puranas like Harivamsa, Kurma, and Skanda narrate the story from the perspective of the Vaishnava-Shaiva community feud prevalent in ancient times. In these puranas, there are fights between Vishnu and Shiva or Virabhadra, with various victors throughout. The story of Daksha Yaga in Vaishnava and Shaiva puranas end with the surrendering of Daksha to the Parabrahmam or with the destruction of yajna and decapitation of Daksha.
Aftermath:
As the obstruction of the yajna will create havoc and severe ill effects on the nature, Brahma and the god Vishnu went to the grief-stricken Lord Shiva. They comforted and showed their sympathy towards Shiva. They requested him to come to the yajna location and pacify the Bhutaganas and allow the Yaga to be completed; Shiva agreed. Shiva found the burnt body of Sati. Shiva gave permission to continue yajna. Daksha was absolved by Shiva and the head of a ram (Male goat) meant for yajna was fixed on the decapitated body of Daksha and gave his life back. The yajna was completed successfully.
The later story is an epilogue to the story of Daksha yajna mentioned in Shakta Puranas like Devi Bhagavata Purana, Kalika Purana and the folklores of various regions. Shiva was so distressed and could not part from his beloved wife. He took the corpse of Sati and wandered around the universe. To reduce Shiva's grief, Vishnu cuts Sati's corpse as per Vaishnava Puranas; whose parts fell on the places Shiva wandered. The Shaiva version says that her body disintegrated on its own and the parts fell while Shiva was carrying Sati's corpse in various places. The wrist of Goddess Sati fell here.
These places commemorating each body part came to be known as the Shakti Peethas. Shakti Peethas are holy abode of the Mother Goddess. Each temple have shrines for Shakti and Kalabhairava. The Shakti devi here is called Aparna and the Bhairava is Vaman. There are 51 Shakti Peethas, representing the 51 letters of Sanskrit. Some of the puranas which came in later ages gave more importance to their supreme deity (depending on Vaishnava, Shaiva, and Shakta sects) in their literature. Shiva went to isolation and solitude for ages and wandered all around until Sati reincarnated as Parvati, the daughter of the King Himavan. Like Sati, Parvati took severe austerities and gave away all her royal privileges and went to forest. Shiva tested her affection and devotion in disguise. He eventually realized Parvati is Sati herself. Shiva later on married Parvati.

Karli Mahadeva Temple, Samlur, Chattisgarh

Karli Mahadeva Temple, Samlur, Chattisgarh
Karli Mahadeva Temple is a Hindu Temple dedicated to the Lord Shiva located in Samlur in Dantewada District in the Indian state of Chhattisgarh. The Temple is one of the protected monuments in Chattisgarh declared by Archaeological Survey of India.

History
The Temple was built in 10th – 11th Century AD by King Someshwar Dev’s wife, Somal Devi.

The Temple
The Temple follows Vesara style architecture. Presiding Deity is housed in the sanctum in the form of Shiva Lingam. Shiva Lingam is about 2 feet tall. Nandi can be found facing the sanctum. The carvings and sculptures of this temple are similar to Battisa temple in Barsur.

Connectivity
The Temple is located at about 5 Kms from Samlur, 13 Kms from Dantewada Railway Station, 14 Kms from Dantewada Bus Stand, 14 Kms from Geedam, 14 Kms from Geedam Bus Stand, 14 Kms from Dantewada, 20 Kms from Geedam Railway Station, 31 Kms from Barsur, 88 Kms from Jagdalpur Airport and 337 Kms from Raipur. The Temple is situated on Dantewada to Bijapur Route.
Location

Mahadeva Temple, Pali, Chattisgarh

Mahadeva Temple, Pali, Chattisgarh
Mahadeva Temple is a Hindu Temple dedicated to the Lord Shiva located in Pali in Korba District in the Indian state of Chhattisgarh. This is an east facing temple, situated on the banks of a large pond. The Temple is one of the protected monuments in Chattisgarh declared by Archaeological Survey of India.



History
Banas were originally ruling over Karnataka and Tamilnadu area as a feudatory under the Pallavas. Vikramaditya I of the Bana dynasty was ruling in the last quarter of the 9th Century AD. Udayachandra, a Pallava general of Emperor Nandivarman Pallavamalla of Pallava Dynasty of Tamil Nadu invaded Central India and defeated Purushavyaghra, a King ruling over Bastar. The Bana chiefs accompanied Pallava general took control over the areas captured by Pallava General. Further, Banas pushed further north and conquered Pali also.


As per the inscription in the sanctum door of the temple, the temple was built by King Vikramaditya I, the son of Maha Mandalesvara Malladeva of Bana Dynasty. The same King was mentioned in Gudimallam grant of Andhra Pradesh. Pali came under the control of Haihayas or Kalachuris of Ratanpur after the Banas. Inscriptions of the Kalachuri King Jajalladeva I dated to 12th Century AD can be found in this Temple.


The Temple
This is an east facing temple, situated on the banks of a large pond. This Temple is built over raised platform. The Temple consists of sanctum and Mandapa. The Mandapam had undergone extensive renovations. Due to the renovations, it is currently octagonal in shape. The roof of the mandapa is in the rudimentary form of dome. Nandi can be found facing the sanctum. The sanctum door is built with three panels on each door jamb.


River Goddess Ganga and Yamuna can be found at the base of the door jamb. Dvarapalas can also be found at the door jamb. An image of Shiva can be found in the center of the lintel, while an image of Brahma and Vishnu are on the either side. Navagraha Panel can be found on the door lintel. The sanctum houses a Shiva Lingam of recent origin.


Tripurantaka and Kartikeya can be found on the niches in the southern wall of the vimana. Surya and Lord Shiva can be found on the niches in the western wall of the vimana. Chamunda and Lord Shiva can be found on the niches in the northern wall of the vimana. The exterior walls of Sanctum and Mandapam are carved with beautiful sculptures. Two Friezes run over the sanctum exterior.


These friezes contains apsaras, Gandharvas, dancers and amorous couples. These friezes are cut by niches at regular intervals. The pond near the entrance of this temple has nine corners. This pond has been found to be water filled throughout the year. Few Idols and ancient coins were found in this pond while the archeological department excavated this place for making boundary walls.


Inscriptions
There are few inscriptions found in the temple. As per the inscription in the sanctum door of the temple, the temple was built by King Vikramaditya I, the son of Maha Mandalesvara Malladeva of Bana Dynasty. Inscriptions of the Kalachuri King Jajalladeva I dated to 12th Century AD can be found in this Temple. An inscription of an ascetic is also found inside the temple.
Connectivity
The Temple is located at about 400 meters from Pali Bus Stop, 30 Kms from Katghora, 47 Kms from Bilaspur, 49 Kms from Bilaspur Junction Railway Station, 52 Kms from Korba, 59 Kms from Bilaspur Airport and 164 Kms from Raipur. The Temple is situated on Bilaspur to Katghora Route. Public buses ply from Bilaspur on regular intervals.
Location