Bhojeshwar Temple, Bhojpur –
The Temple
The temple lies on a platform
115 feet (35 m) long, 82 feet (25 m) wide and 13 feet (4.0 m)
high. The building as it stands consists of the inner cella or garbhagriha, supported by massive pillars, surmounted with an
elegant corbelled dome. The outer walls and superstructure of the temple were
never built. On the platform lies a sanctum containing
a large lingam.
The sanctum plan comprises a square; on the
outside, each side measures 65 feet (20 m); on the inside, each measures
42.5 feet (13.0 m). The lingam is built using three superimposed limestone blocks.
The temple houses one of the largest Lingas in India. The lingam is 7.5 feet (2.3 m) high
and 17.8 feet (5.4 m) in circumference. It is set on a square platform;
whose sides measure 21.5 feet (6.6 m). The total height of the
lingam, including the platform is over 40 feet (12 m).
The doorway to the sanctum is 33
feet (10 m) high. The wall at the entrance features sculptures of apsaras, ganas (attendants
of Shiva) and river goddesses. The temple walls are window-less and are made of
large sandstone blocks.
The pre-restoration walls did not have any cementing material. The northern,
southern and eastern walls feature three balconies,
which rest on massive brackets. These are faux
balconies that are purely ornamental. They are not approachable from either
inside or outside of the temple, because they are located high up on the walls,
and have no openings on the interior walls.
The northern wall features
a makara-shaped spout, which
provided a drainage outlet for the liquid used to bathe the lingam. Other than
the sculptures on the front wall, this makara sculpture is the only carving on
the external walls. 8 images of goddesses were originally placed high up
on the four interior walls (two on each wall); only one of these images now
remains. The four brackets supporting the cornerstones feature
four different divine couples: Shiva-Parvati, Brahma-Shakti, Rama-Sita, and Vishnu-Lakshmi.
A single couple appears on all the three faces of each bracket.
While the superstructure remains
incomplete, it is clear that the shikhara
(dome tower) was not intended to be curvilinear. The shikhara was intended to
be a low pyramid-shaped samvarana roof, usually featured in the mandapas
or the shikhara probably intended to be of phamsana (rectilinear in
outline) style, although it is of bhumija (Latina or curvilinear in outline)
style in its detailing. The incomplete
but richly carved dome is supported by four octagonal pillars, each 39.96 feet
(12.18 m) high. Each pillar is aligned with 3 pilasters.
These 4 pillars and 12 pilasters are similar to the navaranga-mandapas of
some other medieval temples, in which 16 pillars were organized to make up 9
compartments.
The remnants of a sloping ramp can
be seen on the north-eastern corner of the building. The ramp is built of
sandstone slabs, each measuring 39 x 20 x 16 inches. The slabs are covered with soil and sand. The
ramp itself is 300 feet (91 m) long, and slopes upwards to a height of 40
feet (12 m). Originally, the ramp reached up to the temple wall, but
currently, a gap exists between the two. The building is under the protection
of the Archaeological Survey of India.
Bhojeshwar Temple Museum:
There is a small museum
dedicated to Bhojeshwar Shiva Temple and it is situated nearly 200 meters from
the main temple. The museum depicts the history of Bhojeshwar Temple through
posters and sketches as well as it covers the reign of Bhoja. The museum
describes the reign of Bhoja and important books written by him as well as the
mason marks. There is no entry fee in the museum and the museum is open for
visitors from 10:00 AM to 5:00 PM.
Quarries and Rock Drawings:
The temple at Bhojpur is unique
in being left unfinished, with a series of large architectural parts still
located in the quarries where the stones were cut and fashioned. In addition,
there are a significant number of architectural drawings engraved on the flat
surfaces of the quarry showing mouldings, pillars, and temple plans. Also of
note is the large earthen ramp behind the temple which shows how medieval
craftsmen raised the large blocks of stone into position.
Cave of Parvati:
Immediately opposite the temple,
on the west side of the gorge facing the Betwa, is a rock-shelter or cave, now occupied by religious
mendicants. Popularly known as Parvati’s Cave, the cave contains a number of sculptures and
architectural fragments dating to the eleventh century.
Remains of Bhoja's Royal Palace:
On the low plateau above the
Cave of Parvati and opposite
the Bhojpur temple are the remains of Bhoja's palace. Only the foundations
survive. The complex is laid out as a grid in a square, with a courtyard in the
centre. It is oriented on an exact north-south axis as prescribed in the Samarangana
Sutradhara, an architectural treatise ascribed to Bhoja. Among the many features
of interest are unfinished carved blocks and graffiti engraved on the rock
floor.
The latter includes diagrams for
games and a series of names dating to the eleventh century and later. The
palace is a unique survival, being the only medieval building of its kind in
northern India. Its association with Bhoja and its close conformity to a text
ascribed to the king mark it out as a site of national and international
cultural importance. The site of the palace, like the neighbouring dams, is
unprotected. The remains of the palace are being slowly destroyed as local
people collect stones for modern building purposes.
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